The President discusses the corruption of a dictator, who corrupts everyone in the society, no matter what class they are in. His corruption turns people against each other in a way that people will do and say whatever they need to survive. It has been speculated that The President was written about the dictatorship in Guatemala at the time Miguel Angel Asturias was writing, but why write a somewhat fictitious novel over a historical article? What is the reason for using fiction to describe the horrors of living in a society run by a dictator?
In my paper I wish to prove how Asturias is able to portray the dictator as inhumane and why fiction has a better effect on the reader than historical novels or other literary genres.
Friday, December 19, 2008
Thursday, December 4, 2008
Chapter 10: Question 2
According to Bakhtin, the people who come to a carnival make up a group. At a carnival people are not individuals, but rather a united community. Such is seen true throughout 100 Years of Solitude. After Macondo was just founded, the gypsies would come every March for a carnival-like celebration. At these carnival-like celebrations, the community would come together. As Macondo grows larger, it becomes more spread out, however the carnival in chapter 10 brings the people of Macondo together. The carnival was considered a "Catholic tradition" (197). All the people of Macondo come together with Remedios the Beautiful as the queen. The masks that the people of Macondo where wearing, which were only taken off for a moment to get a better look at Remedios the Beautiful, allow the people of Macondo to, as Bakhtin says, forget about, "caste, property, profession, and age."
100 Years of Solitude: chapter 11
In many ways the town which Fernanda grew up in is similar to Macondo many years ago. Fernanda grew up in a town that is isolated from the rest of the world, the way Macondo was isolated when it was first founded; the only interaction Macondo had with the outside world was through the gypsies. However, as Macondo began to embrace the outside world and become more aware of it, the town where Fernanda was from continued to be isolated through the years. Such is apparent through the different changes of Macondo, including the furniture that Ursula bought from outside Macondo, such as the pianola, and the locomotive. The city which Fernanda came from is still, "unknown" at this time (208). Marquez even suggests that the city was a place of unreality as her life did not begin until she was taken to Macondo.
100 Years of Solitude: chapter 10
Aureliano Segundo is one of the more interesting characters of chapter 10. While Aureliano Segundo does not have the same physical features or love of war like the Colonel, in many mays, he is just like Colonel Aureliano. They have the same name, they both enjoyed alchemy in their youth, but as they both grow up they join the world of reality and move away from the lab. Once again the theme of hereditary memory comes up as Aureliano Segundo recognizes Melquiades because the image of Melquiades is, "transmitted from generation to generation" (184). It will be interesting to see as the novel continues how similar Aureliano Segundo is to Colonel Aureliano, and whether Aureliano Segundo will lose touch with reality like Colonel Aureliano.
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